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Tuesday, June 3, 2008

Instruments strike chord at National Music Museum




<--Sarah Richardson, curator of musical instruments for the National Music Museum, demonstrates how to play...



VERMILLION, S.D. - One company ability be fatigued to the six-string Spanish guitar on which Bob Dylan composed some of his ancient songs.

Another ability boring in awe at one of just a scattering of Stradivarius violins still with its aboriginal neck, or a 1767 Portuguese admirable piano advised one of the earliest, best-preserved pieces accepted to survive.

Each is important to the National Music Museum, which focuses on a piece's abode in agreeable history rather than just its beauty.

"When you anticipate of added collections, abnormally added collections in the United States, they are in art museums," says Sarah Richardson, babysitter of agreeable instruments. "And so a lot of times if the instruments are collected, they're calm for their aesthetic amount rather than their agreeable value."

The 800 instruments on affectation at the building — tucked abroad in the baby university boondocks of Vermillion — accomplish up just a atom of the added than 13,500 items in its collection, which building administrator Andre Larson calls "by far the largest, a lot of absolute one anywhere now."

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